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One of the most important tasks for choral conductors is selecting repertoire for their choral ensembles. The vast amount of repertoire combined with numerous considerations for

I’m sure you’ve read about the evils of publishing companies, record labels, and the music industry at large. I recently came across some posts which made me wonder,

In 2007 I conducted my first ensemble and quickly learned how frustrating it can be to find great new music for a choir.

It’s coming up on the end of the summer, and for many of us that means finishing our programs for the coming year.

We sing to feel the most alive, the most vibrant, the most spiritual, and the most complete.

We pride ourselves on carrying a small, tightly curated, and excellent collection of new choral music,...

I love to hear how different composers approach similar topics or musical concepts, which is the major appeal of a thematic program.

I have to say, I’m certainly feeling inspired by last weekend’s Chorus America conference in DC.

My favorite source for new repertoire is my choir’s own community. Having directed choirs at several skill levels and in various locations,...

Upcoming events: Chorus America Convention; Make Music New York;

When choosing repertoire for a program, I always aim to have a fairly even mix of the following types of pieces:

Every year Chorus America honors three choirs, two adult choirs and one youth choir, who have an outstanding commitment to new music.