This is the final installment in a 3-part series, the first two of which can be found here and here. In these articles, we discussed some of the challenges presented by the task of
LOOKING THROUGH THE SEE-A-DOT CATALOG FELT LIKE OPENING PRESENTS AT CHRISTMAS!
I WAS MOST PLEASED TO COME ACROSS THIS RESOURCE FOR INNOVATIVE AND HIGH QUALITY NEW MUSIC.
I'M A BIT WONKY FOR NEW CHORAL MUSIC AND THIS SITE GRABBED MY INTEREST RIGHT AWAY.
WORKING WITH SEE-A-DOT MUSIC HAS ALREADY GIVEN ME SOME VERY GOOD, NEW, IDEAS FOR BOTH REPERTOIRE AND COMPOSERS TO EXPLORE.
IT IS SO CHALLENGING TO FIND NEW REPERTOIRE THAT IS NOT 'THE SAME OLD STUFF' AND I AM GRATEFUL SEE-A-DOT MUSIC IS OUT THERE MAKING IT MORE ACCESSIBLE TO ALL OF US.
This is the final installment in a 3-part series, the first two of which can be found here and here. In these articles, we discussed some of the challenges presented by the task of
In the first article of this 3-part series, we discussed some of the factors conductors must consider when assembling a program that is compelling, coherent, and musically
Of the many hats choral conductors wear, one of the more challenging ones to put on is that of programmer. In many respects, programming a concert is similar to the act of
Religion and choir go together like peanut butter and jelly: the Western choral tradition has its roots in medieval Gregorian chant and mutated over time to include polyphony and
Our last blog post focused on pieces in our catalog with featured vocal solos, but we also carry a number of pieces featuring obligato instrumental parts as well. There are many
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