What Can We Do?: Reflecting on race, equity, and inclusion in the choral community.

Discussing the future of choral performance in the time of COVID-19.

Encouraging gender-inclusive language in choral music

Congratulations to C4, which is being awarded the 2019 Chorus America/ASCAP Award for Adventurous Programming and has been the breeding ground for many pieces in our catalogue.

This is the final installment in a 3-part series, the first two of which can be found here and here. In these articles, we discussed some of the challenges presented by the task of

In the first article of this 3-part series, we discussed some of the factors conductors must consider when assembling a program that is compelling, coherent, and musically

Of the many hats choral conductors wear, one of the more challenging ones to put on is that of programmer. In many respects, programming a concert is similar to the act of

Religion and choir go together like peanut butter and jelly: the Western choral tradition has its roots in medieval Gregorian chant and mutated over time to include polyphony and

Our last blog post focused on pieces in our catalog with featured vocal solos, but we also carry a number of pieces featuring obligato instrumental parts as well. There are many

In the See-A-Dot catalog, there are many great vocal solos for soloists in your vocal ensemble or choir, and now you can search for pieces with vocal solos on our Octavos page!

Microtonality is one of those seemingly deeply esoteric terms that both mystifies and terrifies musicians. The purpose of this series is to open the door of understanding to the

See-A-Dot Music Publishing, Inc. is very excited to participate in the ACDA Conference being held this year in Minneapolis! For those interested in delving into the See-A-Dot